Author: dtw

Gimme some shares!

Handling money in Alien RPG and Mothership

Image by 3D Animation Production Company from https://pixabay.com/

Money in the Alien movie is all about them shares, all about them shares. Why? Because that is how you retire from the capitalist hellscape in which you work. Characters are working to accumulate enough shares that will allow them to earn enough money to retire someplace safe and comfortable. If all a character does is the job they are paid to do, they should be able to earn a modest retirement after, ohh, 30 years of toil for the corporation. But that’s not the stuff of adventure. Characters asked to do something extra and lucrative for the corporation are going to be awarded a bonus is shares to do it. Diverting to answer that distress call? 5 shares. Bringing back a poor unfortunate crew member implanted with an alien egg? 20 shares. Characters should get the opportunity to earn from 5-20 shares in an adventure, with the median at 10.

On a day to day basis, characters should be considered to have enough money to meet their basic demands. Buy a drink at the bar, buy a couple of drinks at the bar, spend the night at a flop house on a station, eat, drink, sleep, breathe. Reload their gun even. But upgrading guns, getting new equipment outside of the needs of their job, or giving a big bribe to that corporate stooge that is preventing you from getting off planet in a hurry? All those require actual cash on the character sheet. Where does that cash come from? It comes from converting those bonus shares into cash.

Shares are sold at market rates, typically 1000Cr, but the GM could roll 1d6x100+800Cr for the actual price at the moment of sale, and get as granular as you like. Obviously, the character would have to be someplace where they could get into contact with the stock market to sell the share.

There is a benefit and a drawback to shares, however. Once a character has 30 shares, they will have brochures or photos of their retirement plan and they can recover 1 stress point once act or session thinking about how great it will be to retire, just like with a signature item. Once a character has 60 shares, they can recover 2 stress points once per act or session thinking about retirement. However, once they have 90 shares or more, they are close to retirement and start every act or session with 1 extra stress and thinking about retirement only relieves 1 stress once per act or session. By the same token, every time a character with any amount of shares sells a share they have to make an Empathy roll or take an additional stress point as they see retirement slip a little farther away (Alien). In Mothership that should be a Fear Save, but an argument could be made for a Sanity Save.

A character can retire on 100 shares banked. This will allow for an immediate retirement with a modicum of comfort and safety, but nothing extravagant. Players are encouraged to define their retirement goal and talk about it in character “I can’t wait to buy the little farm on Fiji and get a sheep and a goat and raise horses.” If you like you can arrange for a single dangerous, high risk, high reward adventure that will allow the character to retire in comfort. It is advised that you define exactly what is necessary to get what additional comfort in retirement.

Money, money money, in an RPG world.

I published my very first thing. A system for handling money and obligation in Coriolis. You can find it on DriveThroughRPG at the Free League Workshop, here (Birr and Reputation).

I’m also working on a similar article for Alien/Mothership, but it wont go on the FLW, becasue alien material isn’t allowed. Fortunately, there really isn’t any alien IP in the article.

So why write two articles about money in an RPG? Because most of the time the way money is used in the game isn’t suited to the themes of the game. So Alien/ Mothership money is based on shares and retirement, a lot like the end goal of Red Markets campaigns. While Coriolis money is based on reputation, obligation and mutual aid and responsibility. What is money actually used for in the game you are playing? Does the way it’s handled make sense? There is basically a different answer for every single game and style of game. You could have money handled very differently in two different games of D&D. In a full on heroic fantasy game, you would basically narrate money “You find a chest full of gold and jewels!” and never refer to it again. In a dungeon survival game, you would track every copper piece and make sure that everything has a price and that price hurts.

There are a couple of games that handle it for their themes and setting really well. Red Markets, because it’s a game all about economics and the horror of capitalism (oh, and zombies and man’s inhumanity to man, but I think I covered that when I said capitalism). Infinity because it’s the first time I’ve seen a game setting handle dealing with money in a modern financial capital system in a way that feels real to me. Most of the other games I’ve played have equipment lists with a monetary value associated with them without apparently thinking about what money means within the themes of this game.

Think about how you want money handled in your game and just change it if it doesn’t fit the themes of your game.

Episode 170: Battlelords Dead Planet: The End

In this episode, the crew desperately attempts to disable the pile of crazily connected engines and jump drives. It’s an OSHA hazard and HR simply will not tolerate it.

Dead Planet is by Fiona Maeve Geist, Donn Stroud and Sean McCoy and can be bought at Tuesday Knight Games
Battlelords of the 23rd Century is by 23rd Century Productions

Music is The Dead Planet by Fearless Super Pictures, licensed by Creative Commons Non-commercial attribution 4.0

Episode 169: Battlelords Dead Planet: The Necropolis

In this episode, the crew investigate the Necropolis.

Dead Planet is by Fiona Maeve Geist, Donn Stroud and Sean McCoy and can be bought at Tuesday Knight Games
Battlelords of the 23rd Century is by 23rd Century Productions

Music is The Dead Planet by Fearless Super Pictures, licensed by Creative Commons Non-commercial attribution 4.0

Episode 168: Battlelords Dead Planet: The Defiance

In this episode, the crew explore the Defiance looking for clues, survivors and supplies.

Dead Planet is by Fiona Maeve Geist, Donn Stroud and Sean McCoy and can be bought at Tuesday Knight Games
Battlelords of the 23rd Century is by 23rd Century Productions

Music is The Dead Planet by Fearless Super Pictures, licensed by Creative Commons Non-commercial attribution 4.0

Episode 167: Battlelords Dead Planet: Planetfall

In this episode, the crew leave the moon and make planetfall on the Dead Planet.

Dead Planet is by Fiona Maeve Geist, Donn Stroud and Sean McCoy and can be bought at Tuesday Knight Games
Battlelords of the 23rd Century is by 23rd Century Productions

Music is The Dead Planet by Fearless Super Pictures, licensed by Creative Commons Non-commercial attribution 4.0

Find the episode on Libsyn.

Episode 166: Battlelords Dead Planet: Explanations

In this episode, the crew return to the scrapyard and try to explain what happened at the colony to an angry Brekt.

Dead Planet is by Fiona Maeve Geist, Donn Stroud and Sean McCoy and can be bought at Tuesday Knight Games
Battlelords of the 23rd Century is by 23rd Century Productions

Music is The Dead Planet by Fearless Super Pictures, licensed by Creative Commons Non-commercial attribution 4.0

Episode 165: Battlelords Dead Planet: Flight

In this episode, the crew try to get out of the Tyrant Beggar Colony with Leer.

Dead Planet is by Fiona Maeve Geist, Donn Stroud and Sean McCoy and can be bought at Tuesday Knight Games
Battlelords of the 23rd Century is by 23rd Century Productions

Music is The Dead Planet by Fearless Super Pictures, licensed by Creative Commons Non-commercial attribution 4.0

How does money work in the Infinity RPG?

The Infinity RPG by Modiphius has absolutely the best, most detailed money system of any game I’ve played. It gets a lot of grief for being complicated and difficult, but the moment I realized what it was, I was impressed. It represents the realities of living in a modern, finance powered economy. It also maps exactly to the other stress tracks, Vigour, Resolve, and Firewall, in the game. In the modern world, the sorts of people that most player characters are don’t live on a cash basis. They have bank accounts, incomes, investments, they have credit cards and all of the trappings of modern finance.

Characters have Earnings which represent a sort of financial Armor with Cashflow acting as a Stress track, Shortfalls are financial Wounds and Assets are equivalent to one time bonuses. Meanwhile purchases that characters might make have Costs, Tariffs, and Maintenance and are made harder to source according to their Restriction value.

There are a lot of proper nouns in that paragraph, let’s break them down.

  • An item’s Restriction determines the difficulty of a Lifestyle test to find it for sale (to source). The test for finding an item is decreased by spending more time looking for it and spending Assets to grease the wheels of commerce gains you extra d20, up to the normal maximum of 5 dice.
  • The Cost of an item is a fixed amount with a variable component with a lot more added based on the item’s Tariff. Cost is increased by the Tariff multiplied by the number of Effects that come up on the dice.
    • Example: a pistol might have a cost of 3+3N T2. This means that the item costs 3 plus the results of 3 Combat Dice and has a Tariff of 2. C So on average the dice will come up with a 1 or 2, without an Effect, but we all know how randomly that Effect can come up, or more often not. This would result in an average cost of 4 or 5, but it could go up as high as 9 if the character is extremely unlucky.
  • Extra successes on the Lifestyle test to source an item can be used to reduce the Cost by one each.
  • Earnings are subtracted from the Cost of an item.
  • Any remaining Cost is subtracted from the character’s Cashflow.
  • If the character’s Cashflow is reduced by 5 or more, or reduced to 0, the character suffers a Shortfall. Characters can suffer more than one Shortfall at a time, and accumulate up to 4 of them.
    • Example: if a character with Cashflow of 5, and Earnings of 3 buys something that Costs 8 or more they will suffer two Shortfalls. The Earnings will reduce the Cost to 5, which is applied to Cashflow, both reducing it by 5 and to 0, resulting in two Shortfalls.
    • Cashflow is generally replenished each game session.
  • A Shortfall increases the difficulty of any attempt to source items or to improve their financial situation.
    • A character must make a Lifestyle test and spend an Asset to recover from a Shortfall or to recover Cashflow. The difficulty is base 0, plus any Shortfalls. Success recovers 2 Cashflow or removes one Shortfall. Momentum can be spent to recover 2 Cashflow or 1 Shortfall. Assets may be used to get more dice for the test.
  • Having a 0 Cashflow, as long as the character doesn’t have 4 Shortfalls, does not prevent the character from buying item. Though buying any items with a net Cost over Earnings will cause a Shortfall.
  • Once an item is bought it might have a Maintenance cost, this reduces Earnings on a one for one basis until the item is no longer owned by the character.
  • Selling items work in reverse. With a Lifestyle test to find a buyer with a difficulty one higher than the items Restriction. The items Cost is determined the usual way, except that Tariffs reduce the item’s Cost and the character’s Earnings also reducing the item’s Cost. Any leftover Cost (income in this case) is added to the character’s Cashflow, if five or more Cost is leftover it can be made into an Asset instead, up to two Assets may be gained on a sale.

That all sounds pretty complicated when I lay it all out like that, but it’s not really that bad. Anything that Costs less than your Earnings is basically cheap enough for you to ignore its Cost. Which means that you don’t have to worry about tracking every last credit your character might have, but big purchases are important.

Episode 164: Battlelords Dead Planet: The Sculpture Garden

In this episode, the crew capture John and head deeper into the colony.

Dead Planet is by Fiona Maeve Geist, Donn Stroud and Sean McCoy and can be bought at Tuesday Knight Games
Battlelords of the 23rd Century is by 23rd Century Productions

Music is The Dead Planet by Fearless Super Pictures, licensed by Creative Commons Non-commercial attribution 4.0